|
Is it possible to grow up while getting younger?
Welcome to Elsewhere. It is warm, with a breeze, and the beaches are marvelous. It’s quiet and peaceful. You can’t get sick or any older. Curious to see new paintings by Picasso? Swing by one of Elsewhere’s museums. Need to talk to someone about your problems? Stop by Marilyn Monroe’s psychiatric practice. Elsewhere is where fifteen-year-old Liz Hall ends up, after she has died. It is a place so like Earth, yet completely different. Here Liz will age backward from the day of her death until she becomes a baby again and returns to Earth. But Liz wants to turn sixteen, not fourteen again. She wants to get her driver’s license. She wants to graduate from high school and go to college. And now that she’s dead, Liz is being forced to live a life she doesn’t want with a grandmother she has only just met. And it is not going well. How can Liz let go of the only life she has ever known and embrace a new one? Is it possible that a life lived in reverse is no different from a life lived forward? This moving, often funny book about grief, death, and loss will stay with the reader long after the last page is turned.
Elsewhere FROM OUR EDITORS In many ways, Elsewhere is out of this world. Within this pleasant, inviting place, so much like Earth, no one gets sick or grows old. In fact, everyone is growing younger. For 15-year-old Liz Hall, who arrives in Elsewhere after her demise, aging backward is not a happy prospect. Like any living teenager, she wants to turn 16, not 14; yearns to fall in love, not reenter infancy. Gabrielle Zevin's first teen novel about being dead offers keen insights about living.
FROM THE PUBLISHER Is it possible to grow up while getting younger?
Welcome to Elsewhere. It is warm, with a breeze, and the beaches are marvelous. It's quiet and peaceful. You can't get sick or any older. Curious to see new paintings by Picasso? Swing by one of Elsewhere's museums. Need to talk to someone about your problems? Stop by Marilyn Monroe's psychiatric practice.
Elsewhere is where fifteen-year-old Liz Hall ends up, after she has died. It is a place so like Earth, yet completely different. Here Liz will age backward from the day of her death until she becomes a baby again and returns to Earth.
But Liz wants to turn sixteen, not fourteen (again). She wants to get her driver's license. She wants to graduate from high school and go to college. And now that she's dead, Liz is being forced to live a life she doesn't want with a grandmother she has only just met. And it is not going well.
How can Liz let go of the only life she has ever known and embrace a new one? Is it possible that a life lived in reverse is no different from a life lived forward? This moving, often funny book about grief, death, and loss will stay with the reader long after the last page is turned. FROM THE CRITICS Publishers Weekly Even readers who have strong views on what happens after death may find themselves intrigued by the fascinating world of "Elsewhere," the place 15-year-old Liz ends up after she is killed in a bicycle accident. A surreal atmosphere permeates chapter one as Liz awakens on a ship (mostly occupied by elderly people), unaware of its destination. Her situation gradually comes into focus after she arrives at the island of Elsewhere and is greeted by her grandmother, who died before Liz was born. Liz learns that the aging process works differently in this land of the dead: instead of getting older, humans (and animals) grow younger. When they reach infancy, they are sent down the River to be reborn on Earth. In other ways, Elsewhere resembles the world Liz left behind; residents work at jobs (although here, everyone has a chance to pursue an "avocation... something a person does to make his or her soul complete"), celebrate holidays and form friendships. Liz also falls in love for the first time, while her grandmother (who has progressed back to her thirties) becomes engaged to a famous rock star; and readers will likely be intrigued by the "strictly forbidden" Well. Prudently skirting the issue of God's role in Elsewhere (when she asks about God, Liz is told simply "God's there in the same way He, She, or It was before to you. Nothing has changed"), Margarettown author Zevin, in her first novel for young people, bends the laws of physics and biology to create an intricately imagined world. Ages 12-up. (Sept.) Copyright 2005 Reed Business Information.
KLIATT - Janis Flint-Ferguson
Lizzie is dead. The 15-year-old was killed in a car accident on her way to the mall to meet a friend. This novel is the story of her "life" in the hereafterin Elsewhere. Loosely reminiscent of the Greek myths, the people experience time backward, growing younger until they are infants who then once again return to Earth. Lizzie is a typical teen and she cannot believe that she is dead. The "life" she finds in Elsewhere seems to be a sick joke. What difference does it make where you live or what you do when you are dead? Lizzie lives with her grandmother, a woman she never knew on Earth, and she spends her days on the Observation Deck where she can see her best friend and family as they continue to live without her. She even tries to make use of an "escape clause," which would allow her to return to Earth after one year. Her adjustment counselor finds her a job and soon she is helping the dogs who come to Elsewhere. She meets Owen, a young man who pines for the wife he left behind. Together they come to terms with their existence in Elsewhere. Lizzie is able to experience some of what she left behind on Earth with a growing realization that love transcends death and that regardless of the situation, you can make the most of the circumstances in which you find yourself. KLIATT Codes: JRecommended for junior high school students. 2005, Farrar, Straus & Giroux, 288p., Ages 12 to 15. School Library Journal Gr 7-10-This coming-of-age novel by Gabrielle Zavin (Farrar, 2005) has a unique twist. Although Liz is maturing, coping with disappointments, and controlling her anger, she is getting younger. Having been killed by a hit and run driver, she now lives in Elsewhere with the grandmother who died before she was born. After death, the residents get younger until they become babies and are reborn onto Earth again. Initially mad at the driver and sad that she will not have a boyfriend and attend the prom, Liz misses her family and is sullen and depressed. Gradually, she begins to realize that life is not so bad in the hereafter. Although written in the second person, the text and the narration by Cassandra Morris draws listeners into this new world, giving them a sense of immediacy. Morris's youthful, gentle, slightly nasal voice clearly brings out Lizzie's life and frustrations, and her tone becomes harsh to show anger. For the most part, she reads quickly, almost sprightly, but at dramatic moments she slows to heighten suspense. There is no significant voice changes to differentiate between male and female characters. An excellent choice to motivate reluctant readers or just for enjoyment.-Claudia Moore, W.T. Woodson High School, Fairfax, VA Copyright 2006 Reed Business Information.
Kirkus Reviews An unusual premise and a thoughtful treatment make Zevin's first effort at writing for young adults a success. Liz Hall is 15. She's looking forward to getting her license, enjoying helping her best friend plan for the prom and anticipating a long, full life. Her sudden death in a hit-and-run accident puts an end to her life on earth-and that's when the story begins. Zevin's creation of a believable, intriguing afterlife and her depiction of Liz's struggle to adjust to her new situation will captivate teens ready for a thought-provoking read. Love, jealousy, grief, commitment, frustration and friendship all exist "Elsewhere," making death not that different from life after all. Personal choices still make a difference and characters continue to learn and grow, despite the fact that they age backwards from the moment of their deaths. Zevin's smooth, omniscient third-person narration and matter-of-fact presentation of her imagined world carries readers along, while her deft, understated character development allows them to get to know her characters slowly and naturally. Hopeful and engaging. (Fiction. 12+)
|